It could have been any church in America; a deep red brick structure, with hints of smoky blackness etched in the mortar. It was built nearly a century ago with a steeple pointing to the heavens, the paint peeling from the bell tower like dried Elmer’s glue on a 6-year-olds construction paper.
It was there when ’49 Plymouths lined the streets Sunday mornings in the old neighborhood, when radiators froze on Christmas day and when clotheslines held sheets that danced in the wind in May and smelled like summer when they were dry.
It was there when Harry Truman took office and the world was wincing from the wounds of war, and it was there decades before.
The streets have been paved and re-paved, the sidewalks are new and COTA buses burp black exhaust as they push by. The old congregation abandoned it some years ago.
It could have been in Detroit or Sheboygan or Birmingham; it could have been in Boise or Savannah or Poughkeepsie; Fordyce, Arkansas or Fargo; but it was here, in central Ohio on a warm August Sunday evening.
Across the street dozens of Hispanic men in their twenties and thirties played basketball on green asphalt courts with steel backboards as their wives and children watched or played on the nearby playground. They sipped Jarritos sodas and snacked on Pepitoria Sinaloense, somewhere far from Columbia or Mexico, Ecuador and Costa Rica—they are small men.
I was taking a walk just to get some exercise; my knees and ankles have surrendered to time and thousands of miles of marathons and running road races on ninety degree August days and ice covered roads of late February. I simply walk.
A gregarious man was unloading his car across from the church; he had nice clothes on a hanger; they looked like something Ricky Ricardo use to wear on I Love Lucy. He had friends and family that were clambering out of their vehicles; there was excitement in their voices, the kind of excitement that excites me.
I interrupted their unloading as some of them began to cross the street to the church. I was curious as to what was going on at the church tonight. “We’re having a gospel sing” the laughing man responded. “You should join us” came an unexpected invitation, as more cars rolled to the curb.
I wasn’t dressed as nice as those people streaming toward the church; I was wearing a pair of camo shorts, something like Jack Black might wear in a movie like School of Rock, and a simple T-shirt that said “Don’t Waste Your Life” on it.
There was something strangely attractive about the offer to join in the gospel sing; it was an invitation to cross cultural barriers, an invitation to a white man who was a total stranger offered by a black congregation; Dr. King would have been proud. So I joined them.
Young men in their teens drifted in and angled their way to one side where there were drums and keyboard, along with other instruments and microphones; the building had a tolerable nauseating smell of sewage. Things like that happen in hundred year old church buildings. Single moms with children in tow made their way to pews, and grandmothers, old and wise and dignified glided in as though carried by some soft wind.
More musicians and singers arrived as I sat on the back pew texting my wife, she was returning from taking our sons to a movie and I was inviting her to join me. I was conspicuously white. I smiled and shook hands; “bless you.”
I was impressed with the skill of the teenage musicians as two middle aged women made their way to the platform and grabbed microphones; the cords coiled on the stage like anorexic pythons and trailed the women. The sing began.
Mid-way through the first song my wife walked through the door and made her way to where I was; we were guardians of the back row of the front section of the auditorium. It was a place where we could be fully engaged, yet distantly safe. It’s that place where many sit on Sunday morning when they want to participate but they want to be far enough away so that the hand of God can’t touch them.
I’d been to gospel sings at black churches before; I love the life that exudes from them. The two women were warming us up for the next group that I soon discovered was a quartet of men in those Ricky Ricardo suits, a color somewhere between peach and coral.
I recognized two of the four men; one was the gregarious man who had invited me to join the sing and another was the pastor of the church. And then it started…
The men were a cross between Al Green, Usher, Michael Jackson and George Clinton; I’m sure they could have sung Atomic Dog and made George proud. My hands hurt that night, they hurt from clapping; they hurt from clapping in rhythm with the teenage guy pounding the drums like some ancient mother might have pounded a rug on one of those clotheslines a half-dozen decades ago.
The quartet was impeccable, both in their suits and their voices, they sang wonderfully. Their songs weren’t barbershop or southern gospel or soft, they were full-on rollicking black gospel—beautiful.
My wife and I sang, praised, danced in place and lifted holy hands to God. Then I began to look around the auditorium.
I’m an observer of people, its part of my calling. I noticed the dozen or so musicians, totally gifted. I noticed teenage girls holding babies and single moms surrounded on both sides of the pew by their children. I noticed the grandmothers, and probably a few aunts. The tolerable smell of sewage was still there too.
The quartet was singing a maniacally crazy song called “Just Give Me Jesus.” I was nearly delirious with frenzy—the Rapture could have happened at that moment and jettisoned me out of the church like I had rockets in my shoes and I wouldn’t even had known it. And, then, I noticed something.
I began to count, not just the musicians and singers, not just the single moms, not just teenage girls with babies on their hips, but everybody. I stopped clapping to the music; my hands felt like some midget had shoved thousands of needles into my palms without me realizing it. Something strange happened, it reminded me of the 1960’s TV series Get Smart with Don Adam when he would want to talk privately with The Chief and they would go into the Cone of Silence. The Cone of Silence was so quiet they couldn’t even hear each other talk.
My world grew silent in a room full of frenzy; it was eerie. It was as though God had drawn a circle around me and enveloped me in his Cone of Silence and was speaking to me. The frenzy increased as a large woman stepped out of the pew and made her way down the aisle to the platform and grabbed a microphone. She joined the quartet and was singing “Just Give Me Jesus;” her voice and body heaving as though in a spiritual convulsion.
The silence screamed louder than the words she was singing…”Just Give Me Jesus.”
I continued to count in my Cone of Silence with God. Around me stood forty adult women in floral dresses, something like Cicely Tyson would have wore in a show like Roots, along with some fancy hat. More silence. Then I counted four men. Just four men; a huge absence of men.
The woman sang “Just Give Me Jesus” louder as she spun around; the microphone cord wrapped itself around her like a serpent. I heard a loud voice in the silence, it came from somewhere inside my head or heart, I couldn’t tell which; maybe it was both.
“You don’t believe what you’re singing” the voice shouted, above the peels of “Just Give Me Jesus.” “You don’t believe what you’re singing” reverberated over and over from somewhere inside of me—a hidden voice.
I couldn’t believe what I was hearing until the voice spoke louder; “You don’t believe what you’re singing…because if you did it would change your life.” I looked around the auditorium. It could have been any church in America, it just happened to be this one at this moment.
It could have been a suburban church in Upper Arlington or Worthington or Los Angeles or Seattle or Atlanta or Oklahoma City or Lima, Ohio. The congregation could have been any color. “You don’t believe what you’re singing.”
“Just Give Me Jesus” or “Just As I Am” or “Just A Closer Walk With Thee” or “How Great Is Our God” or “Stomp” or “Glorious One” it could have been any song in any church in America.
God spoke in the Cone of Silence in that moment. In our churches so many times we really don’t believe what we’re singing; if we did it would change how we live Monday through Saturday, not just Sunday, or not just for a Sunday night gospel sing. If we really believed it when we sang about Jesus being Lord, he would rule our lives with absolute holy terror.
Surrounding me in that auditorium were teenage girls with babies on their hips; it wasn’t “Just Give Me Jesus” but it was just give me Jesus and a boyfriend who’ll smooth talk me so that I feel important, so that he can have sex with me! It wasn’t “Just Give Me Jesus” but single moms with children fathered by several different men, saying just give me Jesus and a man! And the list could go on and on in any church in America.
Just give me Jesus…and a house, just give me Jesus…and my golf clubs, just give me Jesus…and shopping, just give me Jesus…and my car, just give me Jesus…and my checking account, just give me Jesus…and the government, just give me Jesus…and a boyfriend or girlfriend or a bar or pot or welfare or a promotion or fine dining or…
In the midst of that gospel sing, in a hundred year old red brick church that tolerably reeked of sewage I heard God speak.
Yesterday I had coffee with a young friend of mine whose world God is destroying and redefining. We talked about a full surrender to God; full surrender is an invitation to pain.
We talked about what God is doing in her life and the lives of people who go to college with her. They were deep stories of transformation; of somebody becoming more like Jesus. And then it hit me…deep stories are better than big worship.
Every week in America there are churches with big worship, vibrant worship, great worship music and great worship bands…and gospel sings. We sing “Just Give Me Jesus” but so often we don’t really believe it; if we did we would be telling deep stories all the time. Deep stories that ruin a person in the way Isaiah was ruined when he stood in the presence of God.